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I turn to Claire and whisper, “Don’t worry. This is our treat. You’re our guest.”
She doesn’t say anything, thanking me instead with her eyes. They are truly lovely.
We order. Our drinks come. Then hot plates of saganaki, which is basically melted Greek cheese. Incredibly delicious. Taramasalata, bread, and olives. Wine. We are all laughing a lot, and Harry is standing up and telling a funny story in some kind of accent and doing a little dance, which has us all roaring.
Finally the steaks arrive. Large hunks of seared beef, thick, charred crusts of salt, pepper, and sparkling fat dripping down the sides. We fall on them like sled dogs.
“Oh my god, this is the most delicious thing I’ve ever eaten,” gasps Claire.
The rest of us grunt appreciatively, too happy to stop chewing.
In midbite, I sense Claire tense. I look at her, thinking she might be about to choke. But it is not that. She sees something. I look around, following her gaze.
“What’s the idea, Winslow?”
It’s Clive. He’s standing over the table. Staring hard. He looks flushed.
“Clive,” says Claire. “What are you . . . ?”
“Quiet. I’m not talking to you.”
Harry puts down his knife and fork. The rest of us sit expectantly. Ned pushes his chair back. The muscles bunch in his neck. Harry says, “Clive, I’ll ask you not to speak to Claire like that.”
“I’ll speak to her any bloody way I like. So,” he says, now turning to Claire, “have you fucked him yet?” Turning to Harry, he continues, “She’s a pretty good fuck, isn’t she, ’Arry?”
I notice him dropping his h’s, revealing his true origins. Yes, I know, I am a snob. But is that worse than pretending you are something you are not?
“Get out of here, Clive. You’re drunk.”
“So what if I am?” To Maddy he sneers, “You better watch her, or she’ll be shagging ’Arry the moment your back’s turned.”
“All right. That does it.” Harry is on his feet, moving toward Clive.
For a minute I think he is going to hit him. Clive seems to think so too because he involuntarily flinches, awaiting a blow that never comes. And Harry is a powerful man, maybe not as strong as Ned but big enough. You don’t play hockey the way Harry did and not be good with your fists. Instead he grabs Clive fiercely by the lapels.
“Clive, I don’t know what you’re talking about, but obviously you’ve had too much to drink,” he says. “I want you to apologize to my wife, Claire, and Cissy. Then I want you to pay your check and get out of here.”
Clive looks nervous but responds, “What if I don’t?”
“Then I’ll take you outside and beat the hell out of you.”
By this time Anna is at our table, and diners sitting around us are staring. “What’s going on? Mister Harry, what are you doing?”
Harry releases Clive. “Nothing, Anna. One of your guests was just leaving.”
“Fuck off, ’Arry,” says Clive, regaining his composure as he retreats from the room. To Claire: “And fuck you too, you slag.”
Ned is about to go after him, but Harry puts his hand on his shoulder. “Let him go. It’s not worth it.” To Anna, he says, “My apologies, Anna. Hope that didn’t spoil any of your other guests’ appetites.”
“I don’t like that kind of thing here, Mister Harry,” she says. “I don’t want him coming back here. You can always come back. You’re almost like family, you, Mrs. Winslow, and Mister Walter.”
“Thank you, Anna.” Then he turns to Claire and puts his hands on her shoulders and asks, “Are you all right?”
She nods, her eyes red. “I’m sorry,” she chokes. “I’m sorry.”
“Some men just don’t like being dumped, eh?” someone jokes to break the tension. I think it is me.
“Harry,” says Maddy, rising regally to her feet. “I’m going to take Claire into the ladies’ room. Come on, Claire. Cissy, you come too.”
After they return, Claire is quiet. She doesn’t look at anyone. Maddy leans into Harry. “We should go.”
“Of course. I’ll go see Anna about the bill.”
The ride home is suffused with awkward silence. Ned and Cissy are in their own car, the rest of us in the old Jeep. Harry tries to make light of what happened. For once his natural charm is ineffectual. It is impossible to tell what Maddy is thinking. She is keeping her thoughts to herself. What will the two of them talk about later in bed, in the privacy of their own room? Will Maddy be angry? Will she be frightened? And what will Harry do or say? Would they say anything? I have no idea. This is unexplored territory. They have been married for nearly twenty years, and are so inseparable she even went with him on his book tours.
It is Madeleine who saves the moment. She turns in her seat, looks at Claire, who is sitting in the back next to me, and says, “I hope you know I think what Clive said is complete shit.”
Claire sniffs gratefully. “Thank you, Maddy.”
“No. You don’t have to thank me. It just sickens me that someone like him feels he can go about poisoning people’s minds just because he isn’t happy. He’s a stupid man, and he was trying to hurt you and us. We offended his vanity, and he had to lash out.”
I have almost never been more proud of her. She has always had the ability to cut through the extraneous and focus on the essential.
Harry is driving, concentrating on the road. Briefly, he looks at Maddy and smiles, and she smiles back. Unpleasantness has been forgotten; order, trust have been restored. Harry asks, “Did you see his face when he thought I was going to hit him?”
Maddy laughs. “I know! I thought he was going to start crying. Why didn’t you hit him, anyway? God knows he deserved it.”
“It’s not the way it used to be, darling. For all I know, he could have come to dinner with a table of lawyers hoping I’d do just that. You can’t hit anyone anymore without getting sued. Happened to a friend of mine a few years back. Got taken to the cleaners. Lawyers take the fun out of everything. Sorry, Walter, no offense meant.”
“None taken,” I answer.
Maddy turns back to Claire. “Would he have done that? Is he like that? God, how awful.”
Claire, shocked into response, answers, “I really don’t know. At first he was so nice. It was only once we came out here that I saw a different side of him. In New York, he was charming and handsome and successful . . .”
“Quite a catch,” comments Maddy.
“Yes. No. I suppose. But out here he seemed so different, so, I don’t know, he just wasn’t . . .”
“Wasn’t what?” asks Harry.
“He wasn’t . . .” She starts but catches herself, and she says instead, “He wasn’t genuine. Yes, that’s it. He just seemed like a phony. Do you know what I mean? All of a sudden, here, in this beautiful place, next to all of you, he just seemed so fake. The way a paste diamond looks when it’s held to a real one in the right light.”
We pull into their drive. A few lights are on. The sitter’s awake. Ned and Cissy have evidently driven straight to my house. I say my good-nights and follow them over, picking my way like a blind monk through a familiar maze.
6
Labor Day. The summer’s last hurrah. Already night is falling earlier. Autumn is waiting on the doorstep. People bring sweaters when they go out in the evening.
Claire is driving with me. She has been out every weekend. She is now one of the gang, part of a nucleus that never changes even when minor characters drift in and out at restaurants, cocktail parties, lazy afternoons at the Winslows’ or at the beach, nights playing charades, sailing in my little sailboat, Johnny’s ninth birthday, skinny-dipping in the ocean, or sitting under the stars listening to Verdi. We are all tan.
I insisted on leaving Thursday night, telling her to call in sick to work. No one will be around anyway, I said. Everyone goes away. We leave in the early evening. We will have dinner and a chat. This is my chance to get to know her better. She will be staying
at my house this weekend. As will Ned and Cissy. They arrive tomorrow. The Winslows have other houseguests this weekend.
I order martinis for both of us. She has adopted them now too. Never more than two, I told her once. I repeat an old joke about why martinis are like women’s breasts; one is not enough and three are too many. Words to live by.
We are in an Italian restaurant in town. It has been here since 1947. The booths are covered in red Naugahyde, the menu features a drawing of the Leaning Tower of Pisa. It is the last remaining business on Newtown Lane from my childhood. Even the hardware store has been replaced. There are two things I appreciate about it. One is that it is devoutly democratic. I have seen movie stars eating at tables beside weather-necked fishermen and their families. The other is that they make delicious thin-crust pizza.
I am deposing her. Where she was born, where she lived, where she went to college, what she studied, why she does what she does, who she is. My right hand itches for a yellow legal pad to scratch it all down, but I will remember it well enough.
She is a willing witness, her tongue loosened by gin. And I am on my best behavior, not aggressive, but solicitous, empathetic. She tells me about her father, her French mother, her younger brother, who lives in California, where he works for a software company. But I also know witnesses have their own motivations. They will lie, or twist facts, if they have to. They can be resentful or closed, releasing only the most meager information. Others want me to like them, thinking that will color my interpretation of the law.
And it is clear that Claire wants me to like her. Not romantically, alas. No, she is too easy around me for that. Instead, she treats me the way one would treat a prospective employer. She wants me to see her in the best light, to gain my approval. And she is hard to resist. She laughs at my jokes, she asks me questions, gets me to tell stories. There is nothing a man likes half as much as the sound of his own voice and an appreciative, preferably female, audience.
The conversation steers to Harry and Madeleine. “Tell me more about them,” she says. “I know you’ve known Maddy your whole life. I have never met anyone like them. Are they really as happy as they seem?”
We have almost finished the wine now. Crusts and a few lonely olive slices are all that remain on the platter.
I shrug. “Who’s to say? I mean, happiness is a chimera. The real question is, does the happiness outweigh the bad, because every relationship has both. I guess it’s a question of having more of one than the other. And in the case of Maddy and Harry, I would have to say that, yes, there is more happiness. I know them pretty well, and I have to admit I have never known a couple so well-suited for each other. They know how to work together and have fun together.”
I don’t blame her for being curious. Some couples have that effect. They have a golden aura about them, something almost palpable that makes them shine more than the rest of us. It is as if they walk through their lives with a spotlight trained on them. When they enter a room, you can’t help noticing them.
She gets me talking. In a way, it is a relief to share little secrets. I have seen so much and know so much about them. This must be how a servant feels, whispering over the kitchen table, intimate but still apart.
“Does he love her very much?”
It is a question I have never asked, had never thought to ask. The answer, to me, is blindingly obvious. Who would not love Madeleine?
“Of course,” I answer. “Theirs is one of the great love stories of our age.”
It sounds flip, but I mean it. Not in a tragic, fatal way, where love is denied or thwarted, as one might read in a romance novel. They are not Tristan and Isolde, or Abelard and Héloïse. I can think of no heroes of literature who would fit their paradigm. Their story lacks the obstacles to passion. They met and fell in love. It is one of the simplest and, at the same time, most difficult things to do. The drama of their lives is that they know how to keep love alive. And they are not selfish about their love. They share it with so many people. It is what draws the rest of us to them. It’s not that he is a respected author or she a great beauty, or even that they occupy a charming cottage near the beach, or any of their many other attributes. It is the strength of their bond that draws us and inspires us. We look at them and want to be them. I say as much to Claire. I am probably a little drunk and slightly embarrassed by my loquacity.
Later, on the ride back to my house, I make a pass at her.
“Walter, please don’t,” she says. “Let’s not complicate things.”
I apologize. The idea of forcing oneself on a woman is repellent. Maybe if I felt otherwise, I would have been kissed more.
After a few moments, she says, “I hope you don’t mind.”
“Not at all,” I answer gamely. “I felt it was the polite thing, to have at least tried. Didn’t want you to feel insecure.”
She laughs, briefly placing her hand on my knee. “Thank you, Walter. You made me feel much better.”
We are friends again.
At home, the house is silent. She has never been here, I realize. The center of the action was always at Maddy and Harry’s. “Would you like a tour? I promise I won’t pounce.”
“I’d love it.”
The house was built by my great-grandfather. He called it Dunemere. All houses then had names, but it has been a long time since anyone called it that. Back then people rarely built on the beach. Instead, they preferred to be closer to town and arable land, and away from the storms that periodically devastated the shoreline. It was at the end of the nineteenth century that wealthy New Yorkers began to buy beachfront property, where they built enormous summer homes, only to desert them each year shortly after Labor Day.
In the 1960s, my father had the place winterized, primarily so we could spend Christmas here. He insulated the walls, which had been filled with nothing but old newspaper and beer bottles left by the original builders; he also installed a furnace in the basement and radiators in the bedrooms, but it wasn’t until after my parents died and the house fell to me that it really came to be used all year round, though I do shut it up in January and February and drain the pipes so they don’t freeze.
Unlike many of the modern houses in the area, the interior is dark, its dimensions modest for a house of this size. There is no media room. No family-style kitchen. Real estate agents out here would call it a teardown because the new crop of home buyers would find it too old-fashioned. The design is Italianate; cream-colored plaster on the outside, something that would not have looked out of place in Lake Como or Antibes. In old black-and-white photographs, there are striped awnings over the windows. Inside you walk into a high-ceilinged center hallway covered in the dark stucco that was once so fashionable. The stucco keeps it cool. The walls have family portraits and a large, faded Gobelins tapestry my grandfather brought back from the First World War. Straight ahead and out a large door is a wide brick patio, where my parents held their wedding reception. It runs the entire length of the house and overlooks a lawn that slopes down to the large brackish pond that leads to the ocean. Flanking the door are matching life-size portraits of my great-grandparents. My grandfather, a little boy in a sailor suit, stands next to his father, bespectacled and stern. Opposite, my great-aunt, dressed in crinolines, her hair long, leans on her mother’s lap.
A long table takes up most of the left side of the hallway, and on it sits an old leather-bound visiting book. The book is almost full. The first entry is nearly as old as I am. The older books are in the library, full of spidery script and long-dead names.
“Please sign your name if you want to,” I say.
She does. I have never seen her handwriting before and am not surprised that it’s clear and elegant. My handwriting, like most lawyers’, is appalling. She writes her name and date, and then “You have a lovely home.”
To the right of the table is the door to a large formal dining room, the site of many endless dinners I was forced to endure as a child when my parents were present, spooning soup a
nd eating heavy meals prepared by Genevieve and served by Robert. The walls are covered in Zuber wallpaper depicting El Dorado. I love that paper. It is a gateway to a different dimension, and on the rare occasions when I throw a formal dinner party I am still capable of losing myself in its magical jungles, canoeing down the Amazon or fighting off Indians with my trusty revolver.
There are eight bedrooms on the second floor. The largest was my great-grandparents’. It is known as the Victorian Room. I think I will have Claire sleep here. The canopied bed is too short for me, but it is where I always put first-time guests. The ones whom I like, at any rate. I still sleep in the same room I occupied as a child, over the kitchen in what had been the nursery wing.
Finally, there is the playroom on the third floor. The biggest in the house, it contains an old pool table, bookshelves crammed with popular novels of my parents’ youth—Kipling and Buchan, Ouida, Tom Swift and Robert Louis Stevenson—and chests of drawers filled with exotic costumes brought back over the years by relatives and friends that we used to wear for fancy-dress parties. Along the wall is my great-uncle’s oar from Henley and window seats where I would curl up with a book on rainy days.
“We should do a costume ball,” says Claire. She is rummaging through the drawers. She pulls out a Pierrot costume I had worn as a child. It would just fit her. Then a burnoose my father used to wear that made him look like Rudolph Valentino. I had always admired it most because it had a real dagger. “That would be such fun.” It has been a long time since our last costume party.
For a second I almost make another pass at her but think better of it. Maybe she would have said yes this time. Expensive real estate can be a powerful aphrodisiac.
We go back downstairs, and I lead her to her room. It is large, with windows facing over the pond. I imagine it is probably bigger than her entire apartment. The bed is just to the right as you enter, the French linen part of my great-grandmother’s trousseau. Matching bureaus, a dressing table with my great-grandmother’s silver-backed Tiffany hairbrushes still on it, a fireplace, an escritoire, a pair of Louis XV armchairs. Silvered family photographs. My grandfather in his uniform. My grandmother’s three brothers. Heavy, pale damask curtains. A wide stretch of carpet, a chaise longue, and a table with an old-fashioned upright telephone and an equally ancient radio, neither of which has worked in years but which remain in place because that’s where they’ve always been.